Excerpt:
Mirabel’s boots
clicked down a stone, spiral stairway, blowing past the half-melted candles
lining the steps. The candles provided the only light, at times leaving her to
fumble for footing on the disrepair of the steps. The descent into darkness
went on longer than she’d ever recalled experiencing before. What a time for
metaphysical nonsense. An echo of raspy, hollow screams chased her,
reverberating within the stairwell, challenging her to keep up speed.
She stumbled off
the final steps, at last on the ground floor, and clawed her wild, deep red
hair from her face. Archaic, religious candle racks illuminated the chamber.
Nothing had changed down here. At least, not yet.
She sped past
rows of dilapidated tables and pews, reached a laboratory-style workbench, and
threw her arms against a stack of journals, scattering the research. Upon
snaring a specific handful of pages, she sprinted for the tower entrance.
A bony tusk
punched through a nearby wall, knocking candles from their altar. They struck
silver offering plates on the floor, crashing like cymbals. Mirabel leaped
back, one hand clutching her research against her body, the other gripping the
handle of her rapier.
Black, viscous
slime poured from the hole around the horn, crept over the altar, and dripped
onto the floor. Small, misshapen hands sprouted from the goop like blooming
black-fingered flowers, grasping at the stone tiles. A reek like sweet, rotting
fruit flooded the air.
She closed her
gaping mouth, turned away, and continued running down the hall. Her
burned-orange cape fluttered and whipped, a nuisance, rescinding its value.
The entire tower
quaked, followed by more disembodied shrieking. A spiny, gray tentacle as thick
as a branch smashed through the wall ahead in a deafening boom, lashing and
twisting like an eel out of water. She drew her rapier and severed the tip with
the sharpened, distal edge of her weapon. The piece of otherworldly flesh fell
away, but several more tentacles punched through imperfections in the
surrounding walls, blocking her path. Each unique arm contorted at varied
rates, some more aggressive than others.
Still holding
her sword, she extended her arm and channeled magic through it with a rush of
heat. Upon releasing her focus, the heat fled her body and flames burst in
front of her, engulfing the tentacles and transforming them into crackling ash.
Vertigo crashed
over her in waves as penalty for her sudden, great expenditure of soul energy.
With inhuman moans drifting on the air, she shook off her fatigue and proceeded
to the iron double doors ahead, ramming her shoulder against them. They opened
a crack, blasting her face with freezing air from outside.
She pushed
against the door, and it ground open, scraping through a layer of fresh snow.
She slipped her thin frame through, dropped her research and rapier, and shoved
the door closed.
“Mayoress?”
She spun and
straightened her posture. “Under no circumstances is anyone to approach the
tower.”
Two guardsmen
clad in vermillion red, double-breasted uniforms stood at the base of the tower
steps, shoulders dusted with snow. They possessed several weapons: muskets with
bayonets, sabers, and crossbow pistols. All useless.
“Aye,” said the
leading guard. “We thought we heard some rumbling from our post. Another
quake?”
She knelt,
sheathing her rapier and collecting her papers. And then she saw the ooze. Not
much, but strands of it slithered under the door. She backed away and marched
down the steps.
“Evacuate.”
“Excuse me,
Mayoress?”
She stopped
between the guards and faced the shift lead. “Evacuate. It’s a simple concept.
Do it now.”
“Evacuate what?
Ironsnow?”
“Yes, the entire
hamlet. Get everyone to Adelstadt at once.” She looked past him at dozens of
wood-framed homes at the base of the tower’s hill, billowing smoke from their
chimneys. “No one goes near the tower. Get everyone out now.”
The other guard
spoke. “But why? Minor quakes happen all the time. My family lives here.”
The three
marched down the hill. Mirabel said nothing.
“Mayoress?”
“Miasma. I’ve
discovered the tower is the source of plague-infested miasma. Likely the cause
of other outbreaks around Adelstadt. Deadly strains. None can reside here any
longer. I’m sorry.”
“Tordin’s
mercy,” said the guard. “I’ll have my family pack right away.”
“Nay. Full
evacuation. Immediately. Have the citizens take only what they can carry on
their way out.”
“It’s that
urgent?”
“I am the
Mayoress and a syndicate-certified disease specialist. You think I give this
order lightly?”
“Of course not,
Mayoress Fairfax,” said the lead guard. “We’ll get everyone out within the
hour.”
“Faster if you
are able. Much faster.”
What is it that makes this book special?
Goetia is a novel
about our perceptions of good and evil. What makes it stand out is its
characters. We have a main protagonist, Mirabel, who is, by all rights, the villain.
She is narcissistic, brutal, literally a witch, and literally a demon. Even
what she says smacks of the dark side, mocking her opponents for their
"false heroism."
Meanwhile, many of her enemies stand
strong. They give inspiring speeches. They insist on burying their dead even at
great cost and risk. They look, and speak, like true heroes, opposed to the "evil"
Mayoress Mirabel Fairfax.
But they don't know what Mirabel
knows. They don't understand the darkness she does. And even as she loses
support, Mirabel must face unspeakable, supernatural evil if she wishes to save
the lives of everyone in her city.
Nothing is what is seems when the
witch is repelling the supernatural forces of the hells, struggling to keep the
peace and sanity of humanity while everything crumbles around her. Not many
female heroines are as imperfect as Mirabel, but she's incorporated her shadow.
And sometimes the "wicked sorceress" is your only hope.
